Re: Socrates and suhari
Posted: Wed Jun 29, 2011 4:06 pm
Sounds like a bit of a nightmare. Kyokushin is definately a different beast when it comes to competition!
shep
shep
Wado Ryu, Wado Kai, Wado Kokusai, Wado everything
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Er..shep wrote:Hi Kyudokyudo wrote:
Another thing that I noticed is that when performing a punch, they move, then stand still to deliver the punch. I'd rather be moving my body while delivering the punch...
Isn't what your describing, punching whilst moving Oi Zuki? As opposed to Jun Zuki (an altogether a different beast)
shep
When the feet arrive at their position, it doesn't necessarily mean that the body comes to a halt...shep wrote: I've always performed it as punch as soon as the foot touches the floor - so I guess that would be classed as just finished moving.
I think I'm getting confused. It doesn't sound like the guys I met in September. These guys were doing workshops which examined the different emphasis and approaches between WIKF approach, Renmei root and Wado Kai root. I can't see that there's that much scope for crass errors, might be wrong, maybe there's another group or the group has changed since you last had contact, who knows.kyudo wrote:One of the collective members has a problem with the demand that his body remains exactly mashomen while performing junzuki. I mean: exact frontal position, he may not make the slightest turn. A position, BTW, which is described in the KBN Wado curriculum as zenkutsu dachi. Need I say more?Tim49 wrote:I’m curious when you say that their findings go against the findings of the collective. Can you give me an example – maybe it would be interesting to apply it to some of the well founded Wado litmus tests.
As for me, one of the things that drives me crazy is that everyone in KBN first turns the front foot outward before departing in junzuki. I hate it when I have to do things that took me a long while to get rid of. It might also explain why some of these guys are pretty slow in junzuki. ;-)
Another thing that I noticed is that when performing a punch, they move, then stand still to deliver the punch. I'd rather be moving my body while delivering the punch...
I'm sure that I can learn a thing or two from some people in the KBN. But the trouble is that it comes with the full package, faults included.
Agreed.kyudo wrote: When the feet arrive at their position, it doesn't necessarily mean that the body comes to a halt...
Could be another group, I don't know.Tim49 wrote:I think I'm getting confused. It doesn't sound like the guys I met in September. These guys were doing workshops which examined the different emphasis and approaches between WIKF approach, Renmei root and Wado Kai root. I can't see that there's that much scope for crass errors, might be wrong, maybe there's another group or the group has changed since you last had contact, who knows.
This looks pretty much like WIKF approach to me, with presentation of mainly Ohyo Gumite, perhaps some element of Kono's influence on the initial Idori.kyudo wrote:[FYI: here's the state of the art of Wado Holland:
The fella performing kobudo is Gert-Jan Martens, the bald guy is Jerry Smit, both among the most senior KBN wadoka. In fact Gert-Jan manages the wado faction within the KBN. I've spent some time in Jerry's dojo. He's ok. But his dojo wasn't exactly my cup of tea...
Neither of them ever showed up at the Collective. Though they've been invited...
Jerry is affiliated with the WIKF. So that comes as no surprise. His pal Gert-Jan is affiliated with renmei, if I'm not mistaken. JKF-Wadokai is hardly represented in KBN.blackcat wrote:This looks pretty much like WIKF approach to me, with presentation of mainly Ohyo Gumite, perhaps some element of Kono's influence on the initial Idori.
This is about as good as it gets in Holland. So this is the top, not the average.blackcat wrote: Are you posting this to say this is representative of the Wado trained in Holland as a whole?
Ouch.kyudo wrote:This is about as good as it gets in Holland. So this is the top, not the average.